7.22 - Bon Voyage (153)
This was transcribed by Craig Best (aka Lancer1993)

7.22 – Directors cut clip - 3:02 – cwtv.com/video

[Lorelai is on the bed with a Laptop]

LORELAI: All right after “Great Adventure” the next Roll-a-coaster would be here at Lake Compounds, home of the “Boulder Dash”.

RORY: Love it.

LORELAI: “The number one choice of wooden roll-a-coasters” according to Mr Arthur Levin of about.com.

RORY: Oh yes the venerable Mr Levin, a legend in coast criticism.

LORELAI: So you’ve heard of him.

RORY: Well of course what coast connoisseur hasn’t?

LORELAI: “Great air time” he says “smooth ride, relentless speed from start to finish” you can admit it if you’re scared.

RORY: What I’m not scared, are you scared?

LORELAI: No I’m not scared, I’m not the one who screams.

RORY: That happened once.

LORELAI: Really busted my eardrums.

RORY: You want to keep talking smack or you want to tell me what comes after the Boulder Dash?

LORELAI: How about the “Cyclone” in Coney Island. And then we can head west to the “Milium Force” Ohio, this calls it a “Giga Roll-a-coaster”

RORY: You know what I say, no hands, eyes open that’s right you heard me.

LORELAI: I’ll believe it when I see it.

RORY: Well believe it. Okay I am done, 74 résumé’s, addressed and sealed.

LORELAI: Not at all excessive.

RORY: Well I just wanted to make sure I didn’t leave a stone unturned.

LORELAI: Yes rocks, pebbles, boulders they’ve all been turned.

RORY: Well I got it all done before our big trip, can you believe it. OH man I have a lot of books.

LORELAI: Hey there is a cool “State Fare” coaster in Springfield, 50-mile detour, worth it.

RORY: Hum. Aw [pulls something out of a box].


RORY: The rocket.

LORELAI: The rocket. Have you talked to him.

RORY: No. It comes in waves, you know, big ones, really close together.

LORELAI: Well the waves will get smaller, I promise. Just have to give it time you know. Have to feel sad and get through it.

RORY: Believe me I’m letting myself feel plenty sad.

LORELAI: Oh that’s good, I mean it’s not good you know, under the circumstances, it’s good.

RORY: I just can’t imagine it feeling better.

LORELAI: But it will someday I promise.

RORY: Yeah, do you feel better about Luke?

LORELAI: [Not sounding convincing] Ah, yeah I feel better because I think we’re done.

RORY: What, maybe you guys just need more time.

LORELAI: More time, I‘ve given him all the time in the world. Every time I’m venerable or I say something or do something like the song he doesn’t do anything.

RORY: Well he’s always been a little slow to respond.

LORELAI: Yeah I don’t want to make any more excuses you know.

RORY: I just don’t think he’s over you.

LORELAI: Well it doesn’t matter, I’m over him. I need someone who can feel you know, show me how he feels. He can’t do that.

RORY: I guess that make sense.

LORELAI: Anyway we’re batter as friends you know, don’t you think. Like “Hey Luke can I get some coffee”, you know friends like that. Like “Hey Luke can you make all the burgers for Rory’s re-enactment graduation party?” you know.

RORY: What re-enactment graduation party?

LORELAI: It’s just a graduation re-enactment party we’re gonna have for all the people who couldn’t go to your actual graduation.

RORY: Re-enactment, how?

LORELAI: All you have to do is throw on that cap and gown again, you know and go up on a little podium again, that someone is gonna build and listen to the high school band play “Pomp and Circumstance”.

RORY: Mom!

LORELAI: What it’s a party, it’s gonna be fun!

RORY: Ah, you own me.

LORELAI: Okay I’ll get you lots of cotton candy and I won’t make fun of you when you scream.

RORY: I’m not gonna scream.

LORELAI: Once a screamer, always a screamer.

RORY: I was seven.

LORELAI: Like that counts.


Written by: David S. Rosenthal
Directed by: Lee Shallet Chemel

Transcribed by Craig Best for http://www.crazy-internet-people.com/site/gilmoregirls

This is a transcript of the aired episode that includes accurate word-to-word dialogues, some settings have been added where needed along with actions and/or camera movements where I felt they were necessary.
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